I saw a marvelously joyous ballet last night: American Ballet Theater's production of The Bright Stream at the Met.
This ballet was originally produced in Russia in 1935, and was re-choreographed by Ratmanksy in 2003. It is a comedic ballet that takes place on a farm collective, and has a silly and somewhat complicated plot. It involves a dancer dressed as a dog, a man in a Sylphide costume, a woman dressed as a man, and elderly gentleman on a bicycle.
I, however, did not worry myself over the narrative one bit. Instead I enjoyed the rousing music and delightful dancing. The evening was such a pleasure. When it was over I felt like I wanted to see an entire other act.
Our seats were in the highest section, which made it somewhat difficult to really see the dancers, but allowed me to appreciate the choreography and entire staging. Also, the long thinness of the ballerinas arms was particularly apparent and lovely from afar.
The score is by Shostakovich, and the principal dancers were Paloma Herrera, Marcelo Gomes, and Gillian Murphy.
No comments:
Post a Comment