This morning/afternoon Meridita and I went to a full dress rehearsal of Bartlett Sher's new production of Les Contes d'Hoffmann at the Metropolitan Opera.It was FABULOUS. The staging, costumes and sets were gorgeous and imaginative. The production included a number of ballet numbers that I absolutely loved (I need to see more ballet). The dancers were highly sexual in some numbers, such as the Venetian "palace" scene. They were dressed in skimpy, sexy lingerie and performed an exquisitely slow acrobatic number.
I really loved the music. Much of it was incredibly familiar. I think Offenbach must be used in every period piece ever made. Not to mention commercials.
Our dress rehearsal included a last minute cast change: Joseph Calleja, who sang Hoffmann in the first act, was not feeling well, and the performance was taken over my a stand-in. Although Calleja had a lovely tenor, I really liked the stand-in better. His voice was clearer, more bell-like, and he projected farther and just seemed somehow more of a person. Of course, this could be because Calleja was feeling under the weather.
The Olympia doll was played my Kathleen Kim, and she was utterly enchanting in her coloratura number. I also was very much moved by Anna Netrebko singing the Antonia character who sings herself to death.
It did occur to me that this is a rather sexist play. The women are vain, materialistic, dishonest, obsessed, or else completely objectified (the doll).
On a final note, our balcony seats kind of blew. We were pretty high up and pretty far back, and that really makes a difference in the experience.
I liked this production so much I'm considering going to the theater to see it live in HD. That would be a lot of Hoffmann in a short period of time, though.
No comments:
Post a Comment